"Impossible to put down. . . . Who, in the end, needs to talk about Kevin? Maybe we all do.” — Boston Globe
Acclaimed author Lionel Shriver's gripping international bestseller about motherhood gone awry
Shriver’s resonant story of a mother’s unsettling quest to understand her teenage son’s deadly violence, her own ambivalence toward motherhood, and the explosive link between them reverberates with the haunting power of high hopes shattered by dark realities.
Eva never really wanted to be a mother—and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin’s horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.
Like Shriver’s charged and incisive later novels, including So Much for That and The Post-Birthday World, We Need to Talk About Kevin is a piercing, unforgettable, and penetrating exploration of violence, family ties, and responsibility.
Lionel Shriver's fiction includes The Mandibles; Property; the National Book Award finalist So Much for That; the New York Times bestseller The Post-Birthday World; and the international bestseller We Need to Talk About Kevin, adapted for a 2010 film starring Tilda Swinton. Her journalism has appeared in the Guardian, the New York Times, the Wall Street Journal, and many other publications. She’s a regular columnist for the Spectator in Britain and Harper’s Magazine in the US. She lives in London and Brooklyn, New York.
“Ms. Shriver takes a calculated risk . . . but the gamble pays off as she strikes a tone of compelling intimacy.” — Wall Street Journal
“Furiously imagined.” — Seattle Times
“An underground feminist hit.” — New York Observer
“A slow, magnetic descent into hell that is as fascinating as it is disturbing.” — Cleveland Plain Dealer
“Shriver handles this material, with its potential for cheap sentiment and soap opera plot, with rare skill and sense.” — Newark Star Ledger
“Powerful [and] harrowing.” — Entertainment Weekly
“Impossible to put down.” — Boston Globe
Situated on the main street of the historic Delaware Riverfront town of New Hope, Pennsylvania, Farley’s Bookshop and its knowledgeable, experienced staff have endeavored to satisfy the literary tastes of the area inhabitants for over fifty years. Whether you are Bucks County born-and-bred or just stopping by to enjoy the crisp river air and delightful scenery, you will be pleasantly surprised to find the largest and most diverse collection of books-in-print in Bucks County. Farley’s may have competition, but it has few peers. We encourage you to browse our website, but please remember that getting acquainted with our online persona is no substitute for exploring the narrow passageways and teeming shelves of our storefront and discovering that perfect book nestled amongst so many others.
New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools.
In this book, you'll find biographies and artwork from such artists as:
New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.