Winner of the Los Angeles Times Book Prize in History: a bold and searing investigation into the role of white women in the American slave economy
“Stunning.”—Rebecca Onion, Slate
“Makes a vital contribution to our understanding of our past and present.”—Parul Sehgal, New York Times
“Bracingly revisionist. . . . [A] startling corrective.”—Nicholas Guyatt, New York Review of Books
Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave‑owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave‑owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.
About the Author
Stephanie E. Jones-Rogers is associate professor of history at the University of California, Berkeley. She is the winner of the 2013 Lerner-Scott Prize for best doctoral dissertation in U.S. women’s history.
Praise For…
“Taut and cogent . . . . They Were Her Property joins a tide of recent books—among them, Sven Beckert’s Empire of Cotton, Edward Baptist’s The Half Has Never Been Told, Walter Johnson’s River of Dark Dreams and Caitlin Rosenthal’s Accounting for Slavery—that examine how slavery laid the foundation of American capitalism."—Parul Sehgal, New York Times
"Jones-Rogers is a crisp and focused writer. . . . This scrupulous history makes a vital contribution to our understanding of our past and present.”—Parul Sehgal, New York Times
"Compelling."—Renee Graham, Boston Globe
"Stunning."—Rebecca Onion, Slate
“Jones-Rogers brings an unseen world to life”—Parul Sehgal, International New York Times
"Dissects the unacknowledged ways that white women were avid participants in (and beneficiaries of) the American system of slavery."—New York Times Book Review, Editors' Choice
“Jones-Rogers's They Were Her Property delivers an unsparing look at the white women who wielded power "in their own right" as owners of enslaved people”—Amy Murrell Taylor, Times Literary Supplement
"Shatters the narrative that married white women were passive bystanders in the business of slavery."—Rodney Brooks, Washington Post/About Us
“Determination and clarity that will surely shake the field. . . . The most comprehensive attempt so far to capture the range of white women’s agency within the slave system. . . . Bracingly revisionist. . . . [A] startling corrective.”—Nicholas Guyatt, New York Review of Books
"Herein lies the greatest innovation of Jones-Rogers’s book—to show that the power white women wielded over enslaved people, reflected in horrific violence, extended into the economic structures of slavery. They engaged in brutal acts with the logic of the market in mind. Hers is the first book to isolate white women as economic actors in the slave system, and thus the first to dismantle another long-standing myth about these women—that they simply stood by as men conducted the business of slavery."—Lynne Feeley, The Nation
“This is an important work that changes the way scholars and the public will view the role of white women during antebellum slavery. This book challenges the notion of southern white women as silent beneficiaries of the peculiar institution and suggests that they played a more dominant role in shaping the social and economic structures of plantation life.”—Lonnie G. Bunch III, Founding Director, National Museum of African American History and Culture, Evoke.org
"Ought to dispel the myth of the Southern belle for good."—Soraya Mcdonald, TheUndefeated.com
“Deeply researched and closely argued, this unflinching, elegantly written volume . . . overturns much of what historians long believed about what one scholar dubbed 'a man’s business.'”—D.R. Egerton, Choice
"Jones-Rogers’s work dismantles the notion that white women in slaveholding families were silent actors—instead, she argues, they used the institution of slavery to build a specific concept of womanhood that shaped the history of the nation before and after the Civil War."—Smithsonian Magazine, Ten Best History Books of 2019
Named One of the 10 Best History Books of 2019 by Smithsonian Magazine
“A bold reinterpretation of the relationship between slavery and slave-owning women in the nineteenth-century South. The prose in They Were Her Property is strong and clear.”—Jeff Forret, Southwestern Historical Quarterly
“A groundbreaking work that reorients popular perceptions of slaveholding in American history. . . . A seminal text that should feature in the bibliographies of future works on antebellum slavery. I encourage historians to cite it, instructors to assign it, and public platforms to promote it. Not only does it exemplify Jones-Rogers’s skills as a writer and researcher, but it also provides an example for future scholars who hope to similarly blend creative methodologies, excellent research, and accessible writing.”—Tyler D. Parry, The Journal of Southern History
“Only a handful of books are published each year that promise to help elevate our national consciousness to topics that should immediately command the attention of every citizen. Stephanie E. Jones-Roger’s They Were Her Property is one of these books. . . . Jones-Rogers has written a book that effectively lays to rest the debate over the many privileges, and the extent of the power, that slave-owning women enjoyed.”—Keri Leigh Merritt, Labor
“Groundbreaking. . . . They Were Her Property is mandatory reading.”—Samira Spatzek, American Studies: A Quarterly
Shortlisted for the 2019 Stone Book Award, given by the Museum of African American History
Winner of the 2020 Merle Curti Social History Award sponsored by the Organization of American Historians
Winner of the 2020 Harriet Tubman Book Prize, sponsored by The Lapidus Center for the Historical Analysis of Transatlantic Slavery at the Schomburg Center for Research in Black Culture
Selected for Choice's 2019 Outstanding Academic Titles List
Finalist for the 2020 Lincoln Prize, sponsored by Gettysburg College and the Gilder Lehrman Ins. of American History
“One of the most significant books on the history of women and slavery.”—Edward E. Baptist, author of The Half Has Never Been Told: Slavery and the Making of American Capitalism
"Stephanie Jones-Rogers has written a highly original book that will change the way we think about women enslavers in the United States. A must-read for anyone interested in the history of gender, slavery and capitalism."—Daina Ramey Berry, author of The Price for Their Pound of Flesh: The Value of the Enslaved, from Womb to Grave, in the Building of a Nation
"This is a deeply researched and powerfully argued book that completely overturns romanticized notions of the plantation mistresses and resistant southern white women. Stephanie Jones-Rogers reveals how deeply complicit slaveholding white women were in upholding the everyday cruelties and barbarity of racial slavery."—Manisha Sinha, author of The Slave’s Cause: A History of Abolition
"They Were Her Property casts brilliant, unsparing light on the history of slaveholding women and the terrible oscillation of domination and dependence that defined identities—as wives, as mothers, as mistresses—purchased in the slave market."—Walter Johnson, author of River of Dark Dreams
“They Were Her Property is nothing less than phenomenal. It shatters many sacred cows about women’s history and legal history and shows how slaveowning women skirted the limitations of gender norms and statutory law in ways that have been previously underestimated. The findings are buttressed by reading anew a rich and prodigious body of primary sources. This is a must read.”—Tera W. Hunter, Edwards Professor of History and Professor of African-American Studies, Princeton University
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Situated on the main street of the historic Delaware Riverfront town of New Hope, Pennsylvania, Farley’s Bookshop and its knowledgeable, experienced staff have endeavored to satisfy the literary tastes of the area inhabitants for over fifty years. Whether you are Bucks County born-and-bred or just stopping by to enjoy the crisp river air and delightful scenery, you will be pleasantly surprised to find the largest and most diverse collection of books-in-print in Bucks County. Farley’s may have competition, but it has few peers. We encourage you to browse our website, but please remember that getting acquainted with our online persona is no substitute for exploring the narrow passageways and teeming shelves of our storefront and discovering that perfect book nestled amongst so many others.
New Hope for American Art
New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools.
In this book, you'll find biographies and artwork from such artists as:
Daniel Garber
Edward Redfield
George Sotter
Arthur Meltzer
Robert Spencer
William Langson Lathrop
Kenneth Nunamaker
John Folinsbee
Henry Snell
William F. Taylor
Fern Coppedge
M. Elizabeth Price
Clarence Johnson
S. George Phillips
Rae Sloan Bredin
Walter Baum
Walter Schofield
Morgan Colt
Charles Rosen
Joseph Meierhans
Charles F. Ramsey
Louis Stone
Charles Evans
Josef Zenk
New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.