“A beautifully illustrated, tender story to be shared with all children, sure to evoke conversations about their names.” —School Library Journal (starred review)
If you ask her, Alma Sofia Esperanza José Pura Candela has way too many names: six! How did such a small person wind up with such a large name? Alma turns to Daddy for an answer and learns of Sofia, the grandmother who loved books and flowers; Esperanza, the great-grandmother who longed to travel; José, the grandfather who was an artist; and other namesakes, too. As she hears the story of her name, Alma starts to think it might be a perfect fit after all—and realizes that she will one day have her own story to tell. In her 2019 Caldecott Honor Book, Juana Martinez-Neal opens a treasure box of discovery for children who may be curious about their own origin stories or names.
About the Author
Juana Martinez-Neal is the Peruvian-born daughter and granddaughter of painters. Her debut as an author-illustrator, Alma and How She Got Her Name, was awarded a Caldecott Honor and was published in Spanish as Alma y cómo obtuvo su nombre. She also illustrated La Princesa and the Pea by Susan Middleton Elya, for which she won a Pura Belpré Illustrator Award, Babymoon by Hayley Barrett, Swashby and the Sea by Beth Ferry, and Fry Bread: A Native American Family Story by Kevin Noble Maillard, which won a Robert F. Sibert Medal. Juana Martinez-Neal lives in Connecticut with her family. Visit her online at www.juanamartinezneal.com.
Martinez-Neal brings her gentle story to life through beautiful graphite and colored pencil artwork, set against cream-colored backgrounds. Soft blue and red details pop against the charcoal scenes, which perfectly reflect the snapshots of Alma’s family. While Alma feels enriched by learning her family’s history, she is also empowered by the knowledge that she will give her name, Alma, its own story. —Booklist (starred review)
Martinez-Neal’s first outing as author is a winner—her velvety and largely monochromatic pencil drawings, punctuated with cherry red, teem with emotional intimacy. It’s an origin story that envelops readers like a hug. —Publishers Weekly (starred review)
The softly colored images and curvilinear shapes that embrace the figures evoke a sense of warmth and affection. At the story’s end, the only tale readers have not heard is Alma’s. “You will make your own story,” states her father. A beautifully illustrated, tender story to be shared with all children, sure to evoke conversations about their names. —School Library Journal (starred review)
Mostly monochromatic against a cream background, the illustrations—print transfers with graphite and colored pencils—are delightful, capturing the distinctive essences of Alma’s many namesakes...A celebration of identity, family and belonging. —Kirkus Reviews
Throughout, grayscale print transfer illustrations have a soft visual texture, and subtle colored-pencil highlights in pinks and blues enliven each spread. The pictures end up stealing the show in their depiction of the sweet closeness between Alma and her father. They also convey a subtle, supernatural connection between Alma and her ancestors, whose images in the family photos make eye contact with her outside of her father’s awareness. —The Horn Book
As artist, her mostly black-and-white graphite and colored pencil drawings with splashes of red (suggesting now) and blue (capturing then) provide an additional, enhancing narrative: the family's Peruvian roots, Alma's avian and floral interests, her bilingual drawings, her historically inspired style sense, even a peek at Esperanza's worldly treasures...Names are so much more than a collection of letters and sounds, Martinez-Neal reminds. The book's final words, "What story would you like to tell?" become an invitation for readers to share and claim each of their own, distinctive stories, histories and identities. —Shelf Awareness for Readers
Every piece of Alma’s name, she discovers, comes to her from someone in her family, and, as she and her father talk, Alma feels a new sense of connection...Touching on cultural themes central to the recent Pixar movie “Coco,” this is a tender outing for children ages 4-8. —The Wall Street Journal
A great book for introducing family history and the importance of our place within it. —Story Monsters Ink
Situated on the main street of the historic Delaware Riverfront town of New Hope, Pennsylvania, Farley’s Bookshop and its knowledgeable, experienced staff have endeavored to satisfy the literary tastes of the area inhabitants for over fifty years. Whether you are Bucks County born-and-bred or just stopping by to enjoy the crisp river air and delightful scenery, you will be pleasantly surprised to find the largest and most diverse collection of books-in-print in Bucks County. Farley’s may have competition, but it has few peers. We encourage you to browse our website, but please remember that getting acquainted with our online persona is no substitute for exploring the narrow passageways and teeming shelves of our storefront and discovering that perfect book nestled amongst so many others.
New Hope for American Art
New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools.
In this book, you'll find biographies and artwork from such artists as:
William Langson Lathrop
William F. Taylor
M. Elizabeth Price
S. George Phillips
Rae Sloan Bredin
Charles F. Ramsey
New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.