Reading these books one is brought yet again to hope that our society as a whole will be seriously drawn to a more systematic study of the deeper aspects of man's life... A.M. Allchin Pseudo-Dionysius: The Complete Works translation by Colm Luibheid forward, notes, and translation collaboration by Paul Rorem preface by Ren Roques introductions by Jaroslav Pelikan, Jean Leclercq, and Karlfried Froehlich Indeed the inscrutable One is out of the reach of every rational process. Nor can any words come up to the inexpressible Good, this One, this Source of all unity, this supra existent Being. Mind beyond mind, word beyond speech, it is gathered up by no discourse, by no intuition, by no name. Pseudo-Dionysius (5th or 6th century) There are few figures in the history of Western Spirituality who are more enigmatic than the fifth or sixth-century writer known as the Pseudo-Dionysius. The real identity of the person who chose to write under the pseudonym of Dionysius the Areopagite is unknown. Even the exact dates of his writings have never been determined. Moreover the texts themselves, though relatively short, are at points seemingly impenetrable and have mystified readers over the centuries. Yet the influence of this shadowy figure on broad range of mystical writers from the early Middle Ages on is readily discernible. His formulation of a method of negative theology that stresses the impotence of humans' attempt to penetrate the cloud of unknowing is famous, as is his meditation on the divine names. Despite his influence, relatively few attempts have been made to translate the entire corpus of his written into English. Here in one volume are collected all of the Pseudo-Dionysius's works. Each has been translated from the Migne edition, with reference to the forthcoming G ttingen critical edition of A.M. Ritter, G. Heil, and B. Suchla. To present these works to the English-speaking public, an outstanding team of six research scholars has been assembled. The lucid translation of Colm Luibheid has been augmented by Paul Rorem's notes and textual collaboration. The reader is presented a rich and varied examination of the main themes of Dionysian spirituality by Ren Roques, an incisive discussion of the original questions of the authenticity and alleged heresies in the Dionysian corpus by Jaroslav Pelikan, a comprehensive tracing Dionysius'sinfluence on medieval authors by Jean Leclercq, and a survey by Karlfried Froehlich of the reception given the corpus by Humanists and sixteenth-century Reformers. +
Situated on the main street of the historic Delaware Riverfront town of New Hope, Pennsylvania, Farley’s Bookshop and its knowledgeable, experienced staff have endeavored to satisfy the literary tastes of the area inhabitants for over fifty years. Whether you are Bucks County born-and-bred or just stopping by to enjoy the crisp river air and delightful scenery, you will be pleasantly surprised to find the largest and most diverse collection of books-in-print in Bucks County. Farley’s may have competition, but it has few peers. We encourage you to browse our website, but please remember that getting acquainted with our online persona is no substitute for exploring the narrow passageways and teeming shelves of our storefront and discovering that perfect book nestled amongst so many others.
New Hope for American Art
New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools.
In this book, you'll find biographies and artwork from such artists as:
William Langson Lathrop
William F. Taylor
M. Elizabeth Price
S. George Phillips
Rae Sloan Bredin
Charles F. Ramsey
New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.