Concordance (Paperback)

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Description


A new poetry book by Susan Howe is always an event


“Only artworks are capable of transmitting chthonic echo-signals,” Susan Howe has said. In Concordance, she has created a fresh body of work transmitting vital signals from a variety of archives. “Since,” a semi-autobiographical prose-poem, opens the collection: concerned with first and last things, meditating on the particular and peculiar affinities between law and poetry, it ranges from the Permian time of Pangea through Rembrandt and Dickinson to the dire present. “Concordance,” a collage poem originally published as a Grenfell Press limited edition, springs from slivers of poetry and marginalia, cut from old concordances and facsimile editions of Milton, Swift, Herbert, Browning, Dickinson, Coleridge, and Yeats, as well as from various field guides to birds, rocks, and trees: the collages’ “rotating prisms” form the heart of the book. The final poem, “Space Permitting,” is collaged from drafts and notes Thoreau sent to Emerson and Margaret Fuller's friends and family in Concord while on a mission to recover her remains from the shipwreck on Fire Island. The fierce ethic of salvage in these three very different pieces expresses the vitalism in words, sounds, syllables, the telepathic spirit of all things singing into air.

About the Author


Susan Howe has won the Bollingen Prize, the Frost Medal, and the Griffin Award. She is the author of such seminal works as Debths, That This, The Midnight, My Emily Dickinson, The Quarry, and The Birthmark.

Praise For…


In the collage poems language is both word and
image. Source texts are cut up and repurposed, overlaid, truncated—they scatter
across the page and spill into the gutter, run to the outside margins. Small
blocks of quotations are buttressed and broidered by other quotations, slender
and enigmatic, running in the opposite direction; some are illegible, serving
more as shapes, gnomic geometries born of inscrutable utterances. To embody, in graphic or poetic form, a reconstituted
approach to reading and writing, one that reaches beyond the page, through
difficulty, silence, and stutters, to another kind of knowledge.
— Emily LaBarge

Howe is a poet who has spent her career reminding us that our experiences of meaning and sound are synchronous. Her poems argue this in form as well as content. Delighting in new paths around words, exploring their visual, acoustic, sonic possibilities, she revels in “affinities and relations,” in “signals and transmissions." Howe imbues her investigations of fragment and snippet with such longing that it is hard not to yearn, from one’s own desk, for deep encounter.

Among the worthiest heirs to the high-modernist line in American poetry. Howe’s own ‘American aesthetic of uncertainty’ shuttles among forms, genres, and states of matter. What connects it all are Howe’s powers of insight and the implied relations between her sparkling trouvailles.
— Dan Chiasson
Product Details
ISBN: 9780811229593
ISBN-10: 0811229599
Publisher: New Directions
Publication Date: May 26th, 2020
Pages: 120
Language: English

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New Hope for American Art

                                               New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools. 

In this book, you'll find biographies and artwork from such artists as:

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New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.