Sister Arts: The Erotics of Lesbian Landscapes (Paperback)

Sister Arts: The Erotics of Lesbian Landscapes By Lisa L. Moore Cover Image
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Description


In the great age of English garden design, eighteenth-century women working in the “sister arts” of painting, poetry, and landscape gardening adapted the Linnaean system of plant classification and the tradition of the erotic garden to create art with and for other women that celebrated everything from classical friendship to erotic love. In this book, filled with lush illustrations and intriguing stories, Lisa L. Moore reveals how these women artists used flowers, gardens, and landscapes to express their love for other women.
Aristocratic diarist Mary Delany built a garden grotto for the exclusive use of herself and the naturalist and collector Margaret Bentinck, Duchess of Portland. Romantic poet Anna Seward, mourning the loss of Honora Sneyd to an unworthy marriage and then death, wrote her beloved’s face and body into her landscape poems. And in 1790s Connecticut, feminist intellectual Sarah Pierce transformed texts and images into a new poetic evocation of intimacy between women both egalitarian and erotic. These women, Moore shows, influenced later works by Emily Dickinson, Georgia O’Keeffe, Frida Kahlo, and Tee Corinne.
Moore goes on to trace the legacy of the lesbian sister arts tradition in subsequent art and poetry, including contemporary multimedia work by Kara Walker, Michelene Thomas, Alma Lopez, and Allyson Mitchell. Her book redefines this unstudied sister arts tradition, which becomes visible only when we understand how the works of these women exemplify what she deems “lesbian genres.” It will captivate readers who want to know more about women’s contributions to garden history and landscape design—as well as those looking for a new perspective on queer history, literature, and culture.

About the Author


Lisa L. Moore is associate professor of English and women’s and gender studies at the University of Texas, Austin. She is the author of Dangerous Intimacies: Toward a Sapphic History of the British Novel.

Praise For…


"As its lyrical title suggests, Sister Arts, Lisa Moore's loving account of the unusual and haunting works produced by her four subjects-elegiac friendship poems, picturesque landscape designs, leaf collages and scrapbooks, collections of flowers, shells, and butterflies-at once illuminates and charms, deepening our understanding both of female–female intimacy and the elegantly subversive means women in past centuries found to express such devotion." —Terry Castle

"Lisa Moore recounts the fascinating stories of four eighteenth-century women whose lesbian-like relationships were instrumental in inspiring and fostering their work as artists of the landscape. Sister Arts is an indispensible contribution to the project of establishing a readable record of lesbian desire in the historical past." —Lillian Faderman, author of Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present



Product Details
ISBN: 9780816670147
ISBN-10: 0816670145
Publisher: Univ Of Minnesota Press
Publication Date: May 12th, 2011
Pages: 264
Language: English

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                                               New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools. 

In this book, you'll find biographies and artwork from such artists as:

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New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.