Having set global warming in irreversible motion, we are facing the possibility of ecological catastrophe. But the environmental emergency is also a crisis for our philosophical habits of thought, confronting us with a problem that seems to defy not only our control but also our understanding. Global warming is perhaps the most dramatic example of what Timothy Morton calls “hyperobjects”—entities of such vast temporal and spatial dimensions that they defeat traditional ideas about what a thing is in the first place. In this book, Morton explains what hyperobjects are and their impact on how we think, how we coexist with one another and with nonhumans, and how we experience our politics, ethics, and art.
Moving fluidly between philosophy, science, literature, visual and conceptual art, and popular culture, the book argues that hyperobjects show that the end of the world has already occurred in the sense that concepts such as world, nature, and even environment are no longer a meaningful horizon against which human events take place. Instead of inhabiting a world, we find ourselves inside a number of hyperobjects, such as climate, nuclear weapons, evolution, or relativity. Such objects put unbearable strains on our normal ways of reasoning.
Insisting that we have to reinvent how we think to even begin to comprehend the world we now live in, Hyperobjects takes the first steps, outlining a genuinely postmodern ecological approach to thought and action.
Timothy Morton is Rita Shea Guffey Chair in English at Rice University. He is the author of many books, including The Ecological Thought and Ecology without Nature. He blogs frequently at Ecology without Nature.
"In Hyperobjects, Timothy Morton brings to bear his deep knowledge of a wide array of subjects to propose a new way of looking at our situation, which might allow us to take action toward the future health of the biosphere. Crucially, the relations between Buddhism and science, nature and culture, are examined in the fusion of a single vision. The result is a great work of cognitive mapping, both exciting and useful."—Kim Stanley Robinson, author of Shaman, 2312, and the Mars trilogy
"Not only does Morton range from William Wordsworth to the Velvet Underground to Nagasaki to Republican denialism, he does it in a way that marshals these disparate allusions in the service of a cogent idea, one that manages to come off as both intuitive and radical."—Newsweek
"[This book] is bold, stimulating, and provocative. With extraordinary verve and audacity, Morton makes his hyperobjects into harbingers for a new epoch, on a planetary scale, a task in which he is assisted by the general consensus about the Anthropocene, the current era of human-induced planetary change."—Los Angeles Review of Books
"Whatever your hopes or fears for the next major era in human history, Morton is telling us that it has already happened and it is us."—3 Quarks Daily
"A relentless torrent of commentary that presents challenges to most contemporary scholarship on both sides of the still upheld nature/culture divide."—Qui Parle
"Morton’s work bridges a gap between academia and the global warming movement with a postmodern angle."—Vogue
"Morton is unafraid to mix theory with personal and often confessional material, anchoring his arguments to his own experience of the world."—A Year’s Work in Critical Culture and Theory
Situated on the main street of the historic Delaware Riverfront town of New Hope, Pennsylvania, Farley’s Bookshop and its knowledgeable, experienced staff have endeavored to satisfy the literary tastes of the area inhabitants for over fifty years. Whether you are Bucks County born-and-bred or just stopping by to enjoy the crisp river air and delightful scenery, you will be pleasantly surprised to find the largest and most diverse collection of books-in-print in Bucks County. Farley’s may have competition, but it has few peers. We encourage you to browse our website, but please remember that getting acquainted with our online persona is no substitute for exploring the narrow passageways and teeming shelves of our storefront and discovering that perfect book nestled amongst so many others.
New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools.
In this book, you'll find biographies and artwork from such artists as:
New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.