Keeping an Eye Open: Essays on Art (Vintage International) (Paperback)

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Description


Flaubert believed that great paintings required no words of explanation. But, as Barnes notes, it is a rare picture that stuns, or argues, us into silence. And when this does happen, we feel compelled to explain the very silence into which we have been plunged. In this illuminating collection of essays on art, Barnes turns his narrative gifts toward some of the most important paintings in the Western canon, eloquently voicing our reactions to these images—what they cause us to think and feel, and why. From Gericault’s The Raft of the Medusa to Degas’s The Dance Lesson to Braque’s Cubism to the “good soft fun” of Oldenburg, Barnes effortlessly fits these pieces into the larger dramas of the artists’ lives and works. Taken together, these essays give us a wonderful overview of art from Romanticism onward—and are a true pleasure to read.

About the Author


Julian Barnes is the author of twenty other books including, most recently, The Noise of Time. He has received the Man Booker Prize, the Somerset Maugham Award, the Geoffrey Faber Memorial Prize, the David Cohen Prize for Literature and the E. M. Forster Award from the American Academy of Arts and Letters; in France, the Prix Médicis and the Prix Femina; and in Austria, the State Prize for European Literature. In 2004 he was named Commandeur de l’Ordre des Arts et des Lettres by the French Ministry of Culture. His work has been translated into more than forty languages. He lives in London.

www.julianbarnes.com

Praise For…


“Eloquent. . . . This is a novelist’s criticism, full of motion and drama.” —The Washington Post

“An engaging and empathetic volume.” —The New York Times Book Review

“Perceptive. . . . Generous and discerning.” —The Boston Globe
 
“Fascinating and brilliant. . . . This magnificent survey draws its strength from its intensely personal focus, each piece reverberating off the others.” —The Financial Times  

“Illuminating. . . . Avid and thoughtful. . . . [Barnes] chatters like the gifted novelist he is, using his eye for the telling detail, his narrative intuition and his understanding of the creative process to help us see familiar artists like Degas, Braque and Magritte afresh, and to appreciate the work of lesser-known masters as well.” —The New York Times

“[A] superb collection. . . . Barnes’s observations and expression prov[e] equally adept and satisfying.” —Minneapolis Star Tribune

“This is art writing of the first order. . . . Page after page, essay after essay, Barnes pulls off the sort of acrobatically erudite performance that ultimately draws as much admiration for him as for the art he describes.” —Richmond Times-Dispatch 

“Powerful accounts of interconnections between art and artist. . . . Sharply observed and richly illuminating. . . . Barnes has a wonderful eye for what makes a great picture, and a command of language that again and again allows readers to share what he sees.” —Times Literary Supplement

“A readable, riveting, informed work with sharp, marvellous anecdotes and observations. . . . In this beautifully illustrated book you’re in great company.” —The Irish Independent

“Extremely rewarding, informative, attentive, thoughtful, entertaining.” —The Evening Standard

“Barnes weaves biography, history, philosophy in this fascinating, richly illuminating and beautifully written book.” —Art Quarterly

“It’s both a pleasure and an education to look over Barnes’s shoulder as he interrogates, wonders at, and relishes works of art. He’s a critic who prioritizes the objects themselves, and his work is always satisfying.” —Publishers Weekly (starred review)

“Scholarly and astute yet accessible and exciting. . . . Barnes focuses his analytical prowess on significant artists and their oeuvres, opening fresh vistas to readers—and viewers.” —Kirkus Reviews (starred)

“Handsomely illustrated, superbly written, felicitously thought-provoking. . . . Barnes is a consummate stylist, not only because of his artistic command of language but also by virtue of his searching intelligence, incisive candor, rogue wit, and righteous fairness.” —Booklist
“[Barnes] digs into fascinating details of isometric proportions. . . . Highly recommended to all art readers.” —Library Journal


Product Details
ISBN: 9781101873373
ISBN-10: 110187337X
Publisher: Vintage
Publication Date: June 13th, 2017
Pages: 288
Language: English
Series: Vintage International

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New Hope for American Art

                                               New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools. 

In this book, you'll find biographies and artwork from such artists as:

  • Daniel Garber
  • Edward Redfield
  • George Sotter
  • Arthur Meltzer
  • Robert Spencer
  • William Langson Lathrop
  • Kenneth Nunamaker
  • John Folinsbee
  • Henry Snell
  • William F. Taylor
  • Fern Coppedge
  • M. Elizabeth Price
  • Clarence Johnson
  • S. George Phillips
  • Rae Sloan Bredin
  • Walter Baum
  • Walter Schofield
  • Morgan Colt
  • Charles Rosen
  • Joseph Meierhans
  • Charles F. Ramsey
  • Louis Stone
  • Charles Evans
  • Josef Zenk

New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.