Winner of the 2019 Pulitzer Prize for General Nonfiction
In Amity and Prosperity, the prizewinning poet and journalist Eliza Griswold tells the story of the energy boom’s impact on a small town at the edge of Appalachia and one woman’s transformation from a struggling single parent to an unlikely activist.
Stacey Haney is a local nurse working hard to raise two kids and keep up her small farm when the fracking boom comes to her hometown of Amity, Pennsylvania. Intrigued by reports of lucrative natural gas leases in her neighbors’ mailboxes, she strikes a deal with a Texas-based energy company. Soon trucks begin rumbling past her small farm, a fenced-off drill site rises on an adjacent hilltop, and domestic animals and pets start to die. When mysterious sicknesses begin to afflict her children, she appeals to the company for help. Its representatives insist that nothing is wrong.
Alarmed by her children’s illnesses, Haney joins with neighbors and a committed husband-and-wife legal team to investigate what’s really in the water and air. Against local opposition, Haney and her allies doggedly pursue their case in court and begin to expose the damage that’s being done to the land her family has lived on for centuries. Soon a community that has long been suspicious of outsiders faces wrenching new questions about who is responsible for their fate, and for redressing it: The faceless corporations that are poisoning the land? The environmentalists who fail to see their economic distress? A federal government that is mandated to protect but fails on the job? Drawing on seven years of immersive reporting, Griswold reveals what happens when an imperiled town faces a crisis of values, and a family wagers everything on an improbable quest for justice.
Winner of the 2019 Pulitzer Prize for General Nonfiction
New York Times Book Review Notable Book
"[A] wonderful account, the deserved winner of this year’s Pulitzer Prize for General Nonfiction . . . The virtue of Griswold’s reporting is that, though it’s never sentimental, you understand and sympathize with these men and women." —Bill McKibben, The Times Literary Supplement
"Expertly constructed . . . Griswold — the kind of reporter who can convince a subject to let her reveal the message inside a Valentine card, and who notices what color somebody’s refrigerator is — painstakingly builds the narrative amid its historical and social context . . . Her relentless, measured narration helped me understand my own blind spots — that sadness over ruined views is a kind of class privilege, the outgrowth of a particular stance toward the land. —Erika Howsare, Los Angeles Review of Books
"Amity and Prosperity is at heart a David and Goliath story fit for the movies. It has everything but a happy ending: bucolic setting concealing fortune and danger; poor but proud locals who've endured sequential boom bust cycles of resource extraction . . . tough, reluctant victim-heroes . . . and a courtroom drama, as a tenacious husband-wife legal team takes on the industry and the state . . . [a] valuable, discomforting book" —JoAnn Wypijewski, The New York Times Book Review
"Riveting . . . Page-turner . . . If J.D. Vance’s Hillbilly Elegy famously portrayed the Rust Belt ethos of Appalachian transplants into southern Ohio, Amity and Prosperity tells with vivid detail the contours of daily life in Washington and Greene counties . . . Ms. Griswold is an energetic writer, and the characters she writes about are themselves colorful, raw and dogged . . . Amity and Prosperity becomes not only a glimpse into postindustrial small towns and the environmental consequences of fracking, but also a legal thriller worthy of any novel by John Grisham. —Byron Borger, Pittsburg Post-Gazette
“In her new book, Amity and Prosperity, journalist Eliza Griswold provides a deeply human counterpoint to this political fray. She takes on the decidedly fraught issue of energy extraction through a vivid, compassionate portrait of one family living in the long shadow of industry . . . Griswold chronicles these escalating horrors with disarming intimacy.” —Meara Sharma, The Washington Post
"Powerful and deeply humane" —The National Book Review
"Her sensitive and judicious new book, Amity and Prosperity: One Family and the Fracturing of America, is neither an outraged sermon delivered from a populist soapbox nor a pinched, professorial lecture. Griswold, a journalist and a poet, paid close attention to a community in southwestern Pennsylvania over the course of seven years to convey its confounding experience with hydraulic fracturing . . . What Griswold depicts is a community, like the earth, cracked open. . . . Parts of “Amity and Prosperity” read as intimately as a novel, though its insidious, slow-motion ordeal is all too real." —Jennifer Szalai, The New York Times
"Griswold creates a complex, elegantly written portrait of Stacey and a community ambivalent about the industry they hope can bring prosperity." —BBC
“Veteran journalist Eliza Griswold’s . . . Amity and Prosperity is part Erin Brockovich, part Hillbilly Elegy. You’ll be inspired by [Stacey Haney, Beth Voyles and Kendra Smith] who called B.S. on what was happening around them, pointing a finger at both money-hungry businessmen and day-tripping liberals studying them like specimens. Their galvanizing activism is proof that, to help someone, first you have to listen.” —Elisabeth Egan, Glamour
"Griswold offers a compelling portrayal of Stacey Haney and her fight . . . Memorable . . An important addition to the emerging genre of works about fracking and its environmental and human costs. This will find large audiences among concerned citizens and warrants the attention of public officials as well as fans of J.D. Vance's Hillbilly Elegy." —Library Journal (Starred Review)
"Griswold’s empathetic yet analytical account of Haney’s indefatigable role as advocate for justice is a thorough and thoroughly blood-pressure-raising account of the greed and fraud embedded in the environmentally ruinous natural-gas industry. As honest and unvarnished an account of the human cost of corporate corruption as one will find." —Booklist (Starred Review)
"Compelling and empathetic." —Karen Olsson, Bookforum
"With empathy and diligence, Griswold brings attention to the emotional and financial tolls Haney and her family endured in this revealing portrait of rural America in dire straits." —Publishers Weekly
Situated on the main street of the historic Delaware Riverfront town of New Hope, Pennsylvania, Farley’s Bookshop and its knowledgeable, experienced staff have endeavored to satisfy the literary tastes of the area inhabitants for over fifty years. Whether you are Bucks County born-and-bred or just stopping by to enjoy the crisp river air and delightful scenery, you will be pleasantly surprised to find the largest and most diverse collection of books-in-print in Bucks County. Farley’s may have competition, but it has few peers. We encourage you to browse our website, but please remember that getting acquainted with our online persona is no substitute for exploring the narrow passageways and teeming shelves of our storefront and discovering that perfect book nestled amongst so many others.
New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools.
In this book, you'll find biographies and artwork from such artists as:
New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.