Doing Women's History in Public: A Handbook for Interpretation at Museums and Historic Sites (American Association for State and Local History) (Paperback)

Doing Women's History in Public: A Handbook for Interpretation at Museums and Historic Sites (American Association for State and Local History) By Heather Huyck Cover Image
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Description


A complete guide to interpreting women's history. Women's history is everywhere, not only in historic house museums named for women but also in homes named for famous men, museums of every conceivable kind, forts and battlefields, even ships, mines, and in buckets. Women's history while present at every museum and historic site remains less fully interpreted in spite of decades of vibrant and expansive scholarship. Doing Women's History in Public: A Handbook for Interpretation at Museums and Historic Sites connects that scholarship with the tangible resources and the sensuality that form museums and historic sites-- the objects, architecture and landscapes-- in ways that encourage visitor fascination and understanding and center interpretation on the women active in them. With numerous examples that focus on all women and girls, it appropriately includes everyone, for women intersect with every other human group. This book provides arguments, sources (written, oral, and visual), and tools for finding women's history, preserving it, and interpreting it with the public. It uses the framework of Significance (importance), Knowledge Base (research in primary, secondary, and tertiary sources), and Tangible Resources (the preserved physical embodiment of history in objects, architecture, and landscapes). Discusses traditional and technology-assisted interpretation and provides Tools to implement Doing Women's History in Public. Using a hospitality model, museums and historic sites are the locales where we assemble, learn from each other, and take our insights into a more gender-shared future.

About the Author


Heather Huyck is a public historian long dedicated to "tell the whole story," and interpret quality women's history. An activist-scholar as well as a park ranger, manager, and organizer, she has a PhD from the University of Minnesota, worked on the foundational Women's History Sources Survey, and did professional staff work for 81 enacted laws in the US House of Representatives. She taught women's history to the National Park Service and the College of William & Mary and has made numerous presentations. A past President of the National Collaborative for Women's History Sites, she has been an OAH Distinguished Lecturer, AHA Congressional Fellow, and AHA Feis Public History Award recipient. She worked to preserve Maggie Walker documents and serves on the Mary McLeod Bethune Federal Commission. She has travelled extensively to museums in the US and Canada and to 324 national parks.


Product Details
ISBN: 9781442264175
ISBN-10: 1442264179
Publisher: Rowman & Littlefield Publishers
Publication Date: April 5th, 2020
Pages: 266
Language: English
Series: American Association for State and Local History
 

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New Hope for American Art

                                               New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools. 

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New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.