From a debut picture-book author and a #1 New York Times best-selling illustrator, a wry take on "Why did the chicken cross the road?” that gives a whole new meaning to “the Other Side.” Cock-a-doodle-BOO!
It’s punny. It’s spooky. It’s a meta picture book that puts a fresh spin on an old joke and elevates chicken comedy to ghastly new levels. A little spring chicken crosses the road but quickly gets flattened under a semitruck. The barnyard beasts who’ve gone before break the news: now that Chicken’s fried—dispatched to the Other Side—Chicken has a job, an unwanted job, as a noisy troublemaking ghost. This fowl may be weak in the beak, but Chicken knows that scaring people isn’t nice. There is such a thing as a friendly ghost, after all—isn’t there? Loaded with laughs and shivers, this Halloween-ready treat features ghoulishly funny art by the illustrator of the #1 New York Times best-selling Bad Seed series. Let the haunting begin!
No chickens were harmed in the making of this book.
About the Author
Eric Geron earned a creative writing degree from the University of Miami and spent many years as a children’s book editor, acquiring numerous New York Times bestsellers. He is eggstatic to present Poultrygeist as his debut picture book. Originally from Summit, New Jersey, he now lives in Los Angeles, where he always looks both ways before crossing the road.
Pete Oswald is the author-illustrator of Hike and the illustrator of the New York Times bestsellers The Bad Seed and The Good Egg, both written by Jory John. He worked as a character designer and/or concept artist on the popular films Madagascar: Escape 2 Africa, Cloudy with a Chance of Meatballs, Hotel Transylvania, and ParaNorman. He was also the art director and production designer for The Angry Birds Movie. Pete Oswald lives in Santa Monica with his wife and three sons.
Praise For…
The chicken crosses the road…and arrives on the other side as a ghost. . . . Oswald’s illustrations display masterful use of color, with bright, ghostly animals against a dark, often all-black background, the dialogue shown in colors that correspond to the speakers. These ghosts do become scary but not enough to completely terrorize readers. Oswald’s skill is seen in full effect, as readers witness only the animal ghosts’ reactions to the poultrygeist’s scariest face, building suspense for the full reveal. This book is just right for kids easing into the slightly scary and macabre but who still want a safe and fun read. —Kirkus Reviews (starred review)
Thanks to a passing semi, a chicken crossing the road definitely gets to the Other Side—but rejects the insistence of hovering deer, possum, and other fellow roadkill that it’s payback time. . . Young audiences may have different views, though, and Oswald obliges by crafting cartoon images of spectral wildlife with staring, glaring eyes and shark-like teeth, and also making use of page turns to work dramatic “jump!”–worthy changes of size and expression. —Booklist
An amusing concept and attendant wordplay (“Show a little pluck, Cluck!”) by debut author Geron gets a big assist from Oswald’s marvelous digital illustrations: intricate, iridescent textures; fluorescent colors; and lots of comic exaggeration evoke a spectral world that’s also reassuringly silly. —Publishers Weekly
[Geron] is serendipitously paired with artist and production designer Oswald. The dynamic duo absolutely know how to entertain, Geron with the clever, multilayered phrases ("cock-a-doodle-BOO!"; "ghosts of a feather haunt together!"), Oswald with the colorful and expressive, digitally created ghouls and goblins ready to engage and captivate from the OTHER SIDE. The result proves supernaturally spooktacular. . . cleverly captivating. —Shelf Awareness
Against the digital illustrations’ midnight-dark backgrounds, the brightly colored poltergeists’ silliness should prevent young readers from feeling too “weak in the beak”. . . . It’s hard to feel chicken when a book is this clucking hilarious. —The Horn Book
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Situated on the main street of the historic Delaware Riverfront town of New Hope, Pennsylvania, Farley’s Bookshop and its knowledgeable, experienced staff have endeavored to satisfy the literary tastes of the area inhabitants for over fifty years. Whether you are Bucks County born-and-bred or just stopping by to enjoy the crisp river air and delightful scenery, you will be pleasantly surprised to find the largest and most diverse collection of books-in-print in Bucks County. Farley’s may have competition, but it has few peers. We encourage you to browse our website, but please remember that getting acquainted with our online persona is no substitute for exploring the narrow passageways and teeming shelves of our storefront and discovering that perfect book nestled amongst so many others.
New Hope for American Art
New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools.
In this book, you'll find biographies and artwork from such artists as:
Daniel Garber
Edward Redfield
George Sotter
Arthur Meltzer
Robert Spencer
William Langson Lathrop
Kenneth Nunamaker
John Folinsbee
Henry Snell
William F. Taylor
Fern Coppedge
M. Elizabeth Price
Clarence Johnson
S. George Phillips
Rae Sloan Bredin
Walter Baum
Walter Schofield
Morgan Colt
Charles Rosen
Joseph Meierhans
Charles F. Ramsey
Louis Stone
Charles Evans
Josef Zenk
New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.