The true operatic tragedy of Maximilian and Carlota, the European aristocrats who stumbled into power in Mexico—and faced bloody consequences.
In the 1860s, Napoleon III, intent on curbing the rise of American imperialism, persuaded a young Austrian archduke and a Belgian princess to leave Europe and become the emperor and empress of Mexico. They and their entourage arrived in a Mexico ruled by terror, where revolutionary fervor was barely suppressed by French troops. When the United States, now clear of its own Civil War, aided the rebels in pushing back Maximilian’s imperial soldiers, the French army withdrew, abandoning the young couple. The regime fell apart. Maximilian was executed by a firing squad and Carlota, secluded in a Belgian castle, descended into madness.
Assiduously researched and vividly told, The Last Emperor of Mexico is a dramatic story of European hubris, imperialist aspirations clashing with revolutionary fervor, and the Old World breaking from the New.
About the Author
Edward Shawcross is a historian and teacher, who earned his PhD in history from University College London. He lives in London.
“Mr. Shawcross, a British historian, creates a balanced and deeply human portrait of the emperor…[a] deeply researched narrative.”—Wall Street Journal
"A superbly entertaining and well‑researched account that sets a new standard for histories of the doomed escapade."—Financial Times
"Shawcross’s fascinating debut is keenly attuned to the ironies and tragedies that Maximilian faced in his ill-fated task."—Guardian
“Shawcross deftly reexamines the tragicomic rule of the Austrian archduke Ferdinand Maximilian… In Shawcross’s persuasive retelling, Maximilian was a well-intentioned, if flawed, Enlightenment ruler buffeted by the great forces of the mid-nineteenth century.”—Foreign Affairs
“Shawcross… is especially good at describing the cultural gulf between the imperial couple and their subjects and their adopted realm… [P]owerfully and authoritatively, he places an episode often dismissed as an ego-driven historical absurdity within the deeper context of Mexico’s history…This is history as at once both tragedy and farce.” —Paul Lay, The Times, Book of the Week (UK)
“A majestic history… Shawcross’s vivid details turn the emperor into a character as ornate as the silk tapestries he imported. Such attention to the minutiae—including Maximilian’s hunt for rare larvae—makes his demise all the more heartrending.” —Daniel Rey, The Spectator
“Here is a well-researched, ably written, consistently interesting, and mercifully short book that deserves reading.”—New Criterion
“Edward Shawcross, a historian and first-time author, has a terrific story to tell here and he tackles it with real brio and narrative punch. This is a page-turning history of imperial hubris and nemesis, deceit and delusion, love and betrayal on a grand scale, written in an easy, lucid style.” —Justin Marozzi, The Sunday Times
“Devouring Edward Shawcross’s gripping book set in the 1860s, I was screaming at the hapless Austrian Archduke Maximilian: ‘Don’t do it!’ … [Shawcross] is an eloquent writer, good at showing both sides of an argument.” —Ysenda Maxtone Graham, The Daily Mail
“One virtue of Shawcross’s book is his uncovering of the non-comic aspects of Maximilian’s story, almost all involving the true villain, Napoleon III of France…. Shawcross’s entertaining, just occasionally over-detailed account leaves the emperor with some dignity, weaving the warp of his ridiculousness with the darker threads of his betrayal by his imperial allies in Europe.” —Julian Evans, The Daily Telegraph
“Crisply written and meticulously researched, Shawcross’s engaging book tells a lively story that will appeal to most history buffs.”—Library Journal
“The story of Maximilian is one of the most compelling, absurd, cynical, and revealing chapters in the history of Mexico and the nineteenth-century Atlantic world. Edward Shawcross has marvelous material to work with, and he handles it with insight and panache.”—H.W. Brands, author of The General vs. the President
“‘They are going to Mexico, which I cannot understand,’ wrote Queen Victoria, after dining with the royal couple chosen to reign over an unwilling nation that they had yet to see. No wonder she was perplexed. The story of how Mexico, having been halved by its aggressive neighbor to the north, was then invaded by one of Europe’s old empires, defies credulity and easy comprehension. Sure enough, Edward Shawcross seems almost to make fiction of it, deftly deploying his novelist’s eye for page-turning narrative and compellingly drawn characters. Yet as improbable as it may seem, this was a very real and very tragic chapter in two extraordinary histories—that of Mexico, and that of the arrogance of empire. If only a copy of The Last Emperor of Mexico could be sent back in time to the British queen. She would not have been able to put it down, and, in the end, would surely have understood.” —Matthew Restall, author of When Montezuma Met Cortés
“The story of Mexico’s last emperor is an unhappy one, with an almost inevitable conclusion. Archduke Maximilian of Habsburg was a romantic dreamer, beguiled by the prospect of becoming emperor of Mexico, lied to by Napoleon III of France, who promised him unwavering military support, and tricked by Mexican politicians into thinking he was a popular choice for ruler. After three years of fireworks, grand balls, butterfly hunts, administrative chaos, bedbugs, dysentery, treachery, and civil war, Maximilian was captured and killed; his wife went mad. It is a story where no one comes out well, but Edward Shawcross tells it with verve, weaving together the big-power politics, fevered intrigue, and low villainy behind Maximilian of Mexico’s ill-starred venture.” —Martyn Rady, author of The Habsburgs
“France’s doomed efforts to install an emperor in Mexico have long been treated as a bizarre but minor sideshow to the Civil War in the United States. In this engrossing, fast-paced book, Edward Shawcross tells the story of the French Intervention in its own right, giving a deeply human portrait of a feckless Austrian Archduke Maximilian, who cares more for court etiquette than imperial finances, and his ambitious wife Carlotta, who descends into madness as their New World empire disintegrates. This is by far the best book we have on Maximilian and Carlotta’s ill-fated rule in Mexico.” —Alice L. Baumgartner, author of South to Freedom
“Reads like a lush screenplay with a gaudy cast: a wandering court of effete European exiles, blustering French generals, a ragtag army of Mexican rebels, a US army distracted by civil war, and high drama in Paris and London as a scheme to sit a Habsburg prince on the throne of Mexico luridly unravels.” —Geoffrey Wawro, author of A Mad Catastrophe
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New Hope for American Art
New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools.
In this book, you'll find biographies and artwork from such artists as:
William Langson Lathrop
William F. Taylor
M. Elizabeth Price
S. George Phillips
Rae Sloan Bredin
Charles F. Ramsey
New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.