A.E. Stallings writes that “like the minutes of the hour, these Sixty Sonnets both combine to make a whole and shine as individual moments. While groups of these sonnets occasionally suggest a narrative—refreshingly, like the fugitives and weary academics that people these pages—they work alone. The newspaper crime blotter itself, from which, perhaps, some of these incidents are torn, speaks up as a single sonnet. Here are barflies, high-school dropouts, retired literary critics, washed-up novelists and war-zone reporters, suburbanites and historians, and lyrics with a range of reference from Zippos and Star Wars figures to William James and Thomas Eakins. Mostly in a decasyllabic line that allows for the roughed-up prose rhythms of speech, these sonnets tend to conclude in true iambic pentameter, the tradition that haunts rather than dominates these poems. It is the voice of a less lyrical Prufrock (‘We’ll head out, you and me, have a pint’), a voice that speaks with unsentimental affection for the failures, the ‘Gentlemen at the Tavern’—but it is a voice that just as easily could be speaking of the gentlemen at the Mermaid Tavern, and indeed there is something of Marlowe, as well as Eliot, in this sensibility. The evasive presence in the background occasionally speaks in propria persona—the wry, worldly-wise voice of the poet himself—as much listener as talker—something like a sympathetic bartender, scrupulous in his measures, who has heard it all before, but nightly observes every hour unfold afresh from behind the counter.”
Ernest Hilbert’s sure-footed poems have the breathless urgency of a man telling others the way out of a burning building. Unafraid to startle, often winning out over recalcitrant material, they score astonishing successes. A bold explorer with few rivals, Hilbert enlarges the territory of traditional form. Sixty Sonnets may be the most arresting sequence we have had since John Berryman checked out of America.
– X.J. Kennedy, author of Lords of Misrule and editor of Literature: An Introduction to Fiction, Poetry, and Drama
Hilbert has an appetite for life equal to his taste in literature: a rare combination in an age of dissociated sensibility. In these sonnets, whose dark harmonies and omnivorous intellect remind the reader of Robert Lowell’s, Hilbert is alternately fugitive and connoisseur, hard drinker and high thinker. But he is always a true poet, proud to belong to the company of those who still feel “The last, noble pull of old ways restored, / Valued and unwanted, admired and ignored.”
– Adam Kirsch, author of The Wounded Surgeon: Confession and Transformation in Six American Poets
Just as the work of the modernists showed that the best free verse usually has something masterfully formal about it, Hilbert’s fine collection might serve to remind us that the best formal poetry has about it a marvelous colloquial freshness and inventiveness, and the ring of an actual human voice. It is a touching and intelligent book.
– Franz Wright, recipient of the Pulitzer Prize for poetry
Situated on the main street of the historic Delaware Riverfront town of New Hope, Pennsylvania, Farley’s Bookshop and its knowledgeable, experienced staff have endeavored to satisfy the literary tastes of the area inhabitants for over fifty years. Whether you are Bucks County born-and-bred or just stopping by to enjoy the crisp river air and delightful scenery, you will be pleasantly surprised to find the largest and most diverse collection of books-in-print in Bucks County. Farley’s may have competition, but it has few peers. We encourage you to browse our website, but please remember that getting acquainted with our online persona is no substitute for exploring the narrow passageways and teeming shelves of our storefront and discovering that perfect book nestled amongst so many others.