A New York Times Editors’ Choice and Best Book of the Year at TIME, Esquire, Amazon, Kirkus, and Electric Literature
Jeannie Vanasco has had the same nightmare since she was a teenager. It is always about him: one of her closest high school friends, a boy named Mark. A boy who raped her. When her nightmares worsen, Jeannie decides—after fourteen years of silence—to reach out to Mark. He agrees to talk on the record and meet in person.
Jeannie details her friendship with Mark before and after the assault, asking the brave and urgent question: Is it possible for a good person to commit a terrible act? Jeannie interviews Mark, exploring how rape has impacted his life as well as her own.
Unflinching and courageous, Things We Didn’t Talk About When I Was a Girl is part memoir, part true crime record, and part testament to the strength of female friendships—a recounting and reckoning that will inspire us to ask harder questions, push towards deeper understanding, and continue a necessary and long overdue conversation.
About the Author
Jeannie Vanasco is the author of The Glass Eye: A Memoir (Tin House Books, 2017). Her work has appeared in The Believer, the New York Times Modern Love, Tin House, and elsewhere. She lives in Baltimore and is an assistant professor at Towson University. Things We Didn't Talk About When I Was a Girl is her second book.
Praise For…
Bold, unsettling, and timely. . . . A reckoning with injustice. — Laurie Halse Anderson - TIME
Gorgeous, harrowing, heartbreaking. — Carmen Maria Machado - Bustle
About violence and forgiveness, about friendship and the unwanted title of victim, about digging deeper and deeper to seek answers. — The New York Times Book Review
A cuttingly funny meta-meditation on her own pain in the context of #MeToo. — O, The Oprah Magazine
A remarkably nuanced account of the complicated and confusing emotions that surface when your rapist is someone you knew and trusted. — The Cut
About how important it is to speak about these oft-silenced experiences that cause so many to feel ashamed, scared, and alone. — NPR
A stunning work of meta nonfiction. . . . Vanasco’s narrative pushes far past the flattened media narrative of Me Too and asks uncomfortable questions about how to talk about rape culture, toxic masculinity and gender, justice, and resilience. — Shondaland
Perhaps the most important book of the season. — Esquire
Utterly brilliant. — Book Riot
Thought-provoking, unmooring, and haunting. — NYLON
Striking. . . . Creates a language for something we don’t talk about. — The Paris Review
Heartfelt, painful, and essential. — Shelf Awareness
A gripping read and true fodder for the necessary reckoning with toxic masculinity. — BuzzFeed
Vanasco immediately makes you wonder how we can take so much about sexual assault for granted. — The Times Literary Supplement
Intrepid. . . . A work that has the potential to change the way we think and talk about rape and the people who commit it. — Bitch
Sets the canon of #MeToo-era creative nonfiction on fire. . . . Inimitable. — Booklist, Starred Review
An extraordinarily brave work of self- and cultural reflection. — Kirkus, Starred Review
Exactly the book we need right now. . . . I wish everyone in this country would read it. — Melissa Febos, author of Abandon Me
Stunning. — Angela Pelster, author of Limber
A literary feminist miracle. — Sophia Shalmiyev, author of Mother Winter
Brilliant. — Megan Stielstra, author of The Wrong Way to Save Your Life
Vanasco is a formidable talent. — Daniel Gumbiner, author of The Boatbuilder
An essential, unforgettable work. — Erik Anderson, author of Flutter Point
There is so much power in these pages. — Elissa Washuta, author of My Body is a Book of Rules
Interrogates the terms of betrayal and the limits of redemption. — Tim Taranto, author of Ars Botanica
A rigorous and nuanced investigation. — Lisa Locascio, author of Open Me
Wickedly clever and powerful. — Krystal A. Sital, author of Secrets We Kept: Three Women of Trinidad
Cuts through the silence of deep betrayal. — Amy Jo Burns, author of Shiner
Astonishingly fierce. — Emily Geminder, author of Dead Girls and Other Stories
Explores the common experience of rape with uncommon nuance and intense tenderness. — YZ Chin, author of Though I Get Home
Situated on the main street of the historic Delaware Riverfront town of New Hope, Pennsylvania, Farley’s Bookshop and its knowledgeable, experienced staff have endeavored to satisfy the literary tastes of the area inhabitants for over fifty years. Whether you are Bucks County born-and-bred or just stopping by to enjoy the crisp river air and delightful scenery, you will be pleasantly surprised to find the largest and most diverse collection of books-in-print in Bucks County. Farley’s may have competition, but it has few peers. We encourage you to browse our website, but please remember that getting acquainted with our online persona is no substitute for exploring the narrow passageways and teeming shelves of our storefront and discovering that perfect book nestled amongst so many others.
New Hope for American Art
New Hope for American Art is the most comprehensive book ever published on artists from, and surrounding, the New Hope Art Colony (also known as the Pennsylvania Impressionists). This book, with its 612 pages and over 1,000 color plates of artwork include biographies of 165 individual Pennsylvania Impressionists and New Hope Modernists as well as artists from the Philadelphia Ten, a pioneering group of women all educated at Philadelphia art schools.
In this book, you'll find biographies and artwork from such artists as:
Daniel Garber
Edward Redfield
George Sotter
Arthur Meltzer
Robert Spencer
William Langson Lathrop
Kenneth Nunamaker
John Folinsbee
Henry Snell
William F. Taylor
Fern Coppedge
M. Elizabeth Price
Clarence Johnson
S. George Phillips
Rae Sloan Bredin
Walter Baum
Walter Schofield
Morgan Colt
Charles Rosen
Joseph Meierhans
Charles F. Ramsey
Louis Stone
Charles Evans
Josef Zenk
New Hope for American Art was authored, designed and published by James M. Alterman, an expert in the field of Pennsylvania Impressionist and Modernist painting. A longtime collector and owner of two fine art galleries, Alterman wanted to create a user-friendly book intended not only to educate collectors and enthusiasts about this art but to help train one's eye. The book offers valuable tips on how to avoid common mistakes often experienced by new collectors drawn from the author's personal experiences as a collector and fine art dealer.